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Two poetry courses that changed her course
Two poetry courses she took at Madison were also significant for Charlotte,
in very different ways. One she says, " ... immensely honed and sharpened my
critical thinking,
which helped me later
in life as an editor, in giving a
personal and spontaneous judgment of what I saw and read." The other
course, in French Lyric Poetry, shaped her life in another way. In it, she met
"an intense, thin, poetic writer, a fellow student who was also a student
of Helen White's." This was Maurice Zolotow, a fellow writer, and she married him about five
years later, in 1938, during the Depression. (A very young
Charlotte and Maurice are pictured, left. Don't they look sad and poetic?)
They moved to New York, living in a
small walk-up apartment off Washington Square. He worked as a press agent, while
she took a secretarial job at a publishing company, Harper & Brothers, later
Harper & Row, then HarperCollins.
An editor is born...
Charlotte started out in the adult trade (as opposed to textbook)
department
at Harper & Brothers. But she was delighted when the legendary and
brilliant, if terrifying, children's book editor Ursula Nordstrom offered her a
job. Unpredictable, mercurial, with a biting, sometimes wicked, edgy sense of
humor, Ursula believed passionately in fostering talented people in their work
and lives. Her dedication to children's literature was fierce and complete, as
was her commitment to understanding and helping talented writers and artists
flower. In her, Charlotte found an active proponent of the idea that children's
books should be honest, faithful to the sometimes difficult experience of
childhood, an idea which Charlotte had always held. (Ursula
Nordstrom, pictured above and left, in a photo taken in 1969. The cover of Dear
Genius, an anthology of Ursula's
letters to many of the greats of children's literature, including Charlotte, is
at the right. The book, which was edited by Leonard Marcus, is a must for
students of contemporary children's literature.)
In this sense, Ursula and Charlotte were soul-mates. Over the years, the two of them would become identified in the
field for their shared respect for children's minds and feelings, and their
belief that children were capable of understanding the best that any writer or
artist could offer them.
Although they became colleagues and equals,
Ursula started
out as Charlotte's mentor in children's book editing. She also started
Charlotte's long and fecund career as a children's book
writer.
Interestingly, Charlotte's older sister, Dorothy, also became an editor,
of
textbooks --- mostly historical --- at another publishing company, Macmillan. (The
two sisters, each in their respective offices and hard at work. Charlotte's
office, above left, is filled with plants, characteristically. This picture was
taken circa 1980. The picture of Dorothy Arnof, right, was taken in 1966.
)
...and a children's book writer is developed
Charlotte greatly admired the writing of Margaret Wise Brown, a prolific and wildly
gifted writer whose ability to put the deep experiences of childhood into simple,
beautiful language was unequaled. One day, when Charlotte was relatively new
to working for Ursula, she innocently sent Ursula a memo, suggesting an idea for
a book about life as it changes over 24 hours at a park, which she felt Margaret Wise Brown could write.
Charlotte was completely unaware that almost never would an editor make
such a suggestion to any writer, let alone one as established, and with as much
her own voice, as Brown. In what seemed to be great irritation, Ursula asked her
to expand on the memo. "Just what," she asked Charlotte, slightly
combatively, "do you think is so special about the park?" Charlotte
elaborated on the memo, in writing... and was totally unprepared for Ursula's
sudden appearance at her desk. "Congratulations," said Ursula to
Charlotte. "You've just sold your first children's book."

Her first, but not her last
This was The Park Book. Illustrated by H.A. Rey, published in 1944, it stayed in print until
1977, and was the first of many, many children's books Charlotte would write.
She would win awards and honors (The
Storm Book, illustrated by Margaret Bloy Graham, was the winner of a 1953
Caldecott Honor), and have her work illustrated by some of the
most acclaimed children's
book artists of our time: Maurice Sendak (who did her Mr. Rabbit and the
Lovely Present), Anita Lobel ( This Quiet Lady), Wendell Minor (The
Seashore Book, cover pictured right, a Reading Rainbow selection), Kathryn Jacobi (Who Is Ben?),
Ben Shecter (A Father Like That), and Garth Williams (The Sky Was Blue),
among many others. William's
Doll, in which a young boy yearns for a doll, which is finally ---
despite his father's objections --- given to him by his grandmother, was illustrated by William Pene du Bois,
and became a part of the much-loved anthology "Free To Be You and Me",
put together by Marlo Thomas. (Learn more about many other Books CZ Has Written).
Story by story, book by book, Charlotte has continued writing. In her
eighth decade, she can look back on more than 90 published books, many
re-issued with new illustrations a second or third time, almost all published in
numerous foreign language editions (she is particularly popular in Japan). And she continues to
write and sell books. For instance, Who Is Ben? (cover pictured
right) was published in 1997,
when Charlotte was 82.
To learn more about Charlotte's life, continue on Charlotte's
Biography (page 3 of 4).
Charlotte's Home Page
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