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| Two children in a
sensual, summer dusk |
| I
(Crescent, Charlotte's daughter, speaking here) have looked forward to
doing a link to this book of Charlotte's. It is one of my personal
favorites, though less well-known than some of her titles. The story's
simplicity --- a secret, nearly non-verbal connection between a
little boy and girl who meet by chance in a park at twilight one summer
night, the adults present and watchful, yet oblivious in their own adult
world, a few small incidents which transpire --- belie the impact,
power, beauty, and mystery of this story. It is so sensually
written --- as rich and lushly sweet as the smell of honeysuckle. And
it captures the private, close-up, present-time intimacy of a child, in
this case, two children's, small but hidden world, dense with
experience. |
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The White Marble
was published in 1963, with soulful illustrations by
Lillian Obligado
in greenish-blue turquoise and grey which perfectly capture the dusky
mysterious quality of the text. |
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I'll put more up on
this page soon, but was inspired to at least begin by this recent email
from teacher Rebecca B, of
Mendota Heights, MN
whose daughter
Sophie loves it. |
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Dear
Ms. Zolotow,
My two-and-a-half-year-old daughter Sophie asked tonight for me to read
her The White Marble. She sat entranced for ten minutes while I
read it, only occasionally interrupting with questions about the
lightning in the sky or the fountain in the park. She smiled to herself
when John Henry gave Pamela the white marble, as she does at every
reading of your book. Even though she is so young, she seems to
comprehend the meaning behind that gift and the moments that lead up to
it. After we finished, she quickly drifted off to sleep, and I imagined
her dreaming of an adventurous night in the park.
I wish I could say that I shared this book with my daughter because I
enjoyed it so much when I was a child. In fact, I don’t remember ever
reading it until I found a library-bound copy stamped “Kirkwood School”
in a thrift shop in Des Moines, IA, last fall. Once I opened it, I was
drawn to your beautiful use of language in the descriptions —
particularly the lines:
The heat sat like a feathered bird over the city as the sun went
down. It folded its wings and the pink and orange plumage of the sunset
was covered by the fleecy grey and purple sky.
and,
Even when at last they flung themselves down panting on the soft
grass, with the heavy purple sky folding into the night above them, and
the unceasing grown-up murmur of laughter and voices around them, they
were alone.
I remember getting up from the floor of the thrift shop, tucking your
book into the growing pile of books und er
my arm, and bringing it home to Minneapolis, all the while thinking that
it was beautiful to me but far too subtle for a toddler. Soon after, she
found it on the shelf and fell in love with it the first time it was
read to her.
Thank you so much for writing The White Marble and for the
wonderful moments I’ve spent reading it to my daughter. I’m glad to see
that it’s one of many you have written, and I look forward to watching
my daughter fall in love with your others.
Sincerely, Rebecca B
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